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The Sorcerer - April 2006
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http://diamond.boisestate.edu/gas/sorcerer/html/index.html
The Sorcerer
by Gilbert & Sullivan
 
April 7, 2006 - 7:30 p.m.
April 8, 2006 - 7:30 p.m.
April 9, 2006 - 4:00 p.m.
 
at
 
Leawood United Methodist Church
2915 W. 95th St., Leawood, KS 66206
 

Auditions for The Sorcerer were: 
 
Friday, February 3, 2006:  6:30 - 8:30 p.m.
UMKC - Grant Hall
 
Saturday, February 11, 2006:  3:00 - 5:00 p.m.
UMKC - Grant Hall
 

Synopsis

After the early and resounding success of their one-act opera Trial By Jury in 1875, Gilbert and Sullivan, and their producer Richard D'Oyly Carte, decided to produce a full-length work. Gilbert expanded on one of his earlier writings based on a favourite operatic theme to create a plot about a magic love potion that would result in everyone falling in love with the wrong partner.

The Sorcerer was first produced at the Opéra Comique, a charming little theatre in the Strand, on November 17, 1877. The original run of the piece was a satisfactory 175 performances, enough of a success to encourage Gilbert & Sullivan to continue to collaborate, which led to their next piece, H.M.S. Pinafore. And the rest, as they say, is history.

The Sorcerer was revived, along with Trial By Jury in 1884 at the Savoy Theatre. For this revival, Gilbert and Sullivan revised the ending of Act I and the opening of Act II.

For much of the 20th century, The Sorcerer was performed less frequently than many of the operas. It was restored to the D'Oyly Carte Opera Company's repertoire in 1971 after an absence of many years and it has now joined the regular rotation of G&S operas for most G&S performing groups.

The Sorcerer satirizes early Victorian customs and various theatre devices. These themes may be less accessible to first-time audiences than some of the other G&S operas. In addition, the piece shies away from the political satire that helps to make many of the other G&S operas funny.

by Samuel Silvers

ACT I

It is mid-day and the villagers of Ploverleigh are assembled in front of the Elizabethan Mansion of Sir Marmaduke Pointdextre, voicing their joy at the betrothal of Sir Marmaduke's heir Alexis to Aline, the only child of an equally aristocratic neighbour, the Lady Sangazure. There is one present, however, who does not share in the general joy. Constance, the daughter of Mrs. Partlet, is downcast and confesses to her mother that she loves (vainly, it seems) the Vicar, Dr. Daly. On his appearance they withdraw and Dr. Daly sings the notable ballad, "Time was when Love and I were well acquainted," in which he laments the days now gone when, as a pale young curate, he had the adoration of the maidens of his flock. Mrs. Partlet, anxious to help Constance, comes forward and leads the conversation to the subject of marriage, but it is obvious from his replies that he looks on himself as a confirmed bachelor, and Constance is led away sobbing by her mother.

The Vicar now turns to welcome Sir Marmaduke and Alexis in weighty language, and with a touch of allegory that pleases Sir Marmaduke, who is a great admirer of the school of stately compliment, and a stickler for "blue blood." He claims that his own family is directly descended from Helen of Troy, and is all for a marriage of pedigree, regarding love as a comparatively unimportant accessory.

Aline makes her appearance and is greeted by the village girls. She acknowledges their good wishes, and her mother, Lady Sangazure, adds her congratulations. The men now welcome Alexis and the lovers greet each other with ecstasy. Then follows a stately duet ("Welcome joy, adieu to sadness") between Sir Marmaduke and Lady Sangazure, who were lovers in their young days. The stately gavotte measure is punctuated by their dreams of what might have been.

A notary has now arrived, all is prepared for signing the marriage contract. This done, Alexis and Aline are left together. Alexis does not agree with the views of his father, and, believing that men and women should be coupled in matrimony without distinction of rank, has done some propaganda on the subject. So far, however, his ideas have only been welcomed by the humbler classes. His own happiness seeming assured, he reveals his scheme for making the whole village happy. He has engaged John Wellington Wells, a Sorcerer, to administer secretly a love-philtre to all the others, which will first send them to sleep, and on their awaking cause them to fall madly in love with the first person of the opposite sex they may see who has also drunk the potion. It has no effect on those already married.

Mr. Wells is introduced in the well-known patter song, and then details are discussed. It is decided that the philtre shall be placed in a large teapot which will be used for the "banquet" to follow. Mr. Wells then proceeds to his horrific Incantation, and after the Fiends have disappeared, the villagers return, make merry, and each drinks of the enchanted tea. The act closes as, after struggling vainly against the charm, all present save Alexis, Aline and the Sorcerer fall insensible.

ACT II

It is midnight, and the villagers are still lying where they have fallen. Mr. Wells, with a great sense of fitness, has had the more exalted members taken home and put to bed "respectably." As the villagers wake, each falls in love with the first person of the opposite sex visible, Constance and the Notary making one couple.

Alexis is so pleased with his success that he urges Aline to join with him in drinking the philtre, in order that nothing may be left to chance. She refuses, and they quarrel. The remaining characters begin to arrive: first Dr. Daly, the worthy Vicar, who is puzzled because, in a village hitherto rather slow in the matter of marriage, he has suddenly had a request for hasty weddings from everyone -- even Sir Marmaduke. Alexis is none too pleased when he finds that the philtre has led the Baronet to fix on Mrs. Partlet, the Pew Opener. Still, he must live up to his opinions, and there is a congratulatory quintet from those concerned.

Mr. Wells, having caused the mischief, falls a victim to his own spell, for Lady Sangazure, entering, sees him and at once adores him. He, on the other hand, not having drunk the philtre, does not reciprocate, and in an amusing duet endeavours to dissuade her. Without success, however, for she threatens to bury her woe in her family vault.

Aline, having pondered the matter, has decided to fall in with her lover's wish, and drinks the philtre. Immediately afterwards, she catches sight of Dr. Daly and of course falls in love with him. He is delighted at his good fortune, but Alexis, coming in full of remorse, is astounded to find his embraces repulsed. Explanations ensue, and the Vicar obligingly offers to quit the country and bury his sorrow "in the congenial gloom of a Colonial Bishopric."

This is not enough, for Aline is still under the influence of the philtre, and no longer loves Alexis. They appeal to Mr. Wells, who reveals that there is one way only in which the spell can be revoked. Either he or Alexis must sacrifice himself to Ahrimanes. Argument ensues, and the issue is put to popular vote; John Wellington Wells loses and disappears into the earth to the sound of a gong.

All quit their temporary partners to rejoin their old lovers, and Sir Marmaduke, claiming Lady Sangazure, invites them all to another feast in his mansion.

http://math.boisestate.edu/gas/sorcerer/html/plot_summary.html

Rehearsal Schedule
* for addresses and directions to locations CLICK HERE

DATE
TIME
CALLED
SCENES
LOCATION
Sunday
2-19-06
3:00 - 5:00 P.M.

All Principals
All Chorus

Overview of Entire Show

UMKC - Grant Hall
Room 330
Monday
2-20-06
6:30 - 9:00 P.M.

Sir Marmaduke
Lady Sangazure
Alexis
Aline
Dr. Daly
Mrs. Partlett

Constance
All Chorus

1, 10, 14, 24

UMKC - Grant Hall
Room 330
Sunday
2-26-06
3:00 - 5:00 P.M.

3:00 Constance
3:30 Lady Sangazure
Mrs. Partlett
Ladies Chorus

2a, 5, 19

UMKC - Grant Hall
Room 330
Monday
2-27-06
6:30 - 9:00 P.M.

Sir Marmaduke
Lady Sangazure
Dr. Daly
Mrs. Partlett

Constance
All Chorus

8, 10 then 9

UMKC - Grant Hall
Room 330
Sunday
3-05-06
3:00 - 5:00 P.M.

3:00 - 4:00 Aline
4:00 - 5:00 Dr. Daly

6, 6a, 20
3, 3a, 21

UMKC - Grant Hall
Room 330
Monday
3-06-06
6:30 - 9:00 P.M.

All Principals
All Chorus

13, 15, 16, 24

UMKC - Grant Hall
Room 122
Sunday
3-12-06
3:00 - 5:00 P.M.

Alexis

11, 17, 23

UMKC - Grant Hall
Room 330
Monday
3-13-06
6:30 - 9:00 P.M.

6:30 Sir Marmaduke
Alexis
Aline
Dr. Daly
Mrs. Partlett
7:00 Lady Sangazure
All Chorus
8:30 Mr. Wells

18, 22, 14, 19

UMKC - Grant Hall
Room 122
Sunday
3-19-06
3:00 - 5:00 P.M.

All Principals
All Chorus

TBA

UMKC - Grant Hall
Room 122
Monday
3-20-06
6:30 - 9:00 p.m.

FULL ENSEMBLE:
Orchestra, Principals & Chorus

ACT 1

UMKC - Grant Hall
Room 122
Sunday
3-26-06
3:00 - 5:00 p.m.

All Principals
All Chorus

Run Entire Show
with Piano Accomp

UMKC - Grant Hall
Room 122
Monday
3-27-06
6:30 - 9:00 p.m.
FULL ENSEMBLE:
Orchestra, Principals & Chorus
ACT II
UMKC - Grant Hall
Room 122
Sunday
4-02-06
3:00 - 5:00 p.m.
FULL ENSEMBLE:
Orchestra, Principals & Chorus
Run Entire Show
UMKC - Grant Hall
Room 122
Monday
4-03-06
6:30 - 9:00 p.m.
FULL ENSEMBLE:
Orchestra, Principals & Chorus
Run Entire Show
LEAWOOD UNITED
METHODIST CHURCH
Wednesday
4-05-06
6:30 - 9:30 P.M.
FULL ENSEMBLE
FULL DRESS -
RUN ENTIRE SHOW
LEAWOOD UNITED
METHODIST CHURCH
Friday
4-07-06
6:00 CALL 
7:30 SHOW
FULL ENSEMBLE
PERFORMANCE #1
LEAWOOD UNITED
METHODIST CHURCH
Saturday
4-08-06
6:00 CALL
7:30 SHOW
FULL ENSEMBLE
PERFORMANCE #2
LEAWOOD UNITED
METHODIST CHURCH
Sunday
4-09-06
2:30 CALL
4:00 SHOW
FULL ENSEMBLE
PERFORMANCE #3
LEAWOOD UNITED
METHODIST CHURCH

* for addresses and directions to locations CLICK HERE

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